Skip to main content

Listen to the falling rain...

Listen to the falling rain, listen to it fall...

For those of us who grew up in the seventies, this song by the visually impaired singer Jose Feliciano may bring back many memories of monsoons past. Having just returned from rain-lashed Bhubaneswar, and inundated by reports of a rain-battered Mumbai, the sound of the rain brings a mixed bag of memories.

A good friend said that the sound of the rain is the same, no matter where you are, so it's hard to forget. But I wonder. The rain has a different rhythm at different times of year, when it falls on different surfaces, and when it curtains different landscapes. The rain on a beach in Goa is both poetic and devastating, coconut palms bending submissively to the force of the lashing sheets of water. The rain that washes the PVC hoardings that otherwise beam seductively at distracted drivers on the main roads of Hyderabad is a harsh reminder of the transcience of urban desire. And the rain on the slushy, potholed roads of Chennai's vegetable bazaar is messy and therapeutic, forcing us to drag our mud-soaked heels through waste of various kinds.

And of course, the rain in Mumbai will forever raise the ghost of July 2005, when children were held hostage in schools, when old people who had beds drew their tired and fragile feet up to their chins and hoped for a reprieve before the water reached the base of the mattress. And the old people who had no beds lay back and hoped for escape, or rescue. When mothers searched and fathers and brothers and sisters searched under the deluge for news of their loved ones; when people held hands to draw neighbours and strangers to safety, when memories were washed away, only to rise each year with the falling rain....

Comments

Popular posts from this blog

A house called Ayodhya

How do words get taken away from you? How do they mutate and reconfigure around entirely new meanings, only weakly related to those that they held when you owned them? And then, through repetition and constant association, they solidify into these new forms, their other histories hidden behind impenetrable layers, where they have not been erased altogether.   I live in a house whose name often elicits a curious look, raised eyebrow, a muffled cough, a judging eye, or even a vigorous nod of approval. But for even the least politically minded, the name is evocative of something. For some of us, it is the wave of negativity, divisiveness, and violence unleashed by the events of a December three decades ago. For others, it may represent the righteous assertion of identity.   But the name etched into the gate pillar, now fading and diminished when compared to the glitzy lettering on neighbouring walls, has nothing to do with the politics of place and claimed heritage. It is a simple, gentle

Origin Story

You can know someone all your life and only begin to discover who they are more fully after they are gone. The stories seem to flow more easily, less self-consciously, without the moderating physical presence, perhaps more detailed in the awareness that they cannot be challenged and the memory can retain its sanctity. Today is my parents’ anniversary, 62 years since their marriage that rainy day in Secunderabad when the monsoon used to arrive without fail on the 10th day of June. The family legend has it that it poured so heavily on the 9th (the evening of the nichyathartham or engagement ceremony) that water entered the storage room, soaking the provisions for the next day’s big meal, causing my maternal grandmother to faint. That turbulence however did not seem to affect the tenor of the marriage which, by all accounts and my own experience, was characterized by a calmness that suggested a harmony of purpose and personality.   Not that my parents are/were alike in all ways. T

taking measure of 21 years

How does one measure the usefulness of anything? Does it lie in its quantum of influence--spatially, numerically, intellectually, materially? Does it lie in its ability to survive over time? Or (as some in this age would have it) in the number of mentions it generates on social media? An idea that was born just over 21 years ago is now in the process of being put to rest. Not quite given up on as an idea, but in its material form, designated "unsustainable". Teacher Plus was mooted in the second half of 1988, and given shape to in the first half of 1989, in the offices of Orient Longman Pvt Ltd, Hyderabad. The ELT team in the publishing house, of whom Lakshmi Rameshwar Rao (Buchamma), Usha Aroor and Rema Gnanadickam were a part, originated the idea of a professional magazine for school teachers that would serve as a forum for the sharing of teaching ideas and experiences, and perhaps motivate teachers to play a catalyzing role in reforming classroom practice. I was recru